Listen, Whitey!: The Sounds of Black Power 1965-1975 (Hardcover)
BDT 7143
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Listen, Whitey! is a definitive retrospective that uncovers the sounds and voices of the Black Power movement through rare recordings and vivid storytelling.
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- Noted music producer and scholar Pat Thomas spent five years in Oakland, CA researching Listen, Whitey! The Sounds of Black Power 1965-1975. While befriending members of the Black Panther Party, Thomas discovered rare recordings of speeches, interviews, and music by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others that form the framework of this definitive retrospective. Listen, Whitey! also chronicles the forgotten history of Motown Records. From 1970 to 1973, Motown's Black Power subsidiary label, Black Forum, released politically charged albums by Stokely Carmichael, Amiri Baraka, Langston Hughes, Bill Cosby & Ossie Davis, and many others, all represented. Also explored are the musical connections between Bob Dylan, John Lennon, Graham Nash, the Partridge Family (!?!) and the Black Power movement. Obscure recordings produced by SNCC, Ron Karenga's US, the Tribe and other African-American sociopolitical organizations of the late 1960s and early '70s are examined along with the Isley Brothers, Nina Simone, Archie Shepp, Art Ensemble of Chicago, Clifford Thornton, Watts Prophets, Last Poets, Gene McDaniels, Roland Kirk, Horace Silver, Angela Davis, H. Rap Brown, Stanley Crouch, and others that spoke out against oppression. Other sections focus on Black Consciousness poetry (from the likes of Jayne Cortez, wife of Ornette Coleman), inspired religious recordings that infused god and Black Nationalism, obscure regional and privately pressed Black Power 7-inch soul singles from across America. 90,000 words of text are accompanied by over 250 large sized, full-color reproductions of album covers and 45 rpm singles -- most of which readers will have never seen before.
| Book format | Hardcover |
| Fiction/nonfiction | Non-Fiction |
| Genre | History |
| Publication date | March, 2012 |
| Pages | 224 |
| Reading level | General/Trade, 16 |
| Age range | 16 Years |
| Edition | Illustrated edition |
| Publisher | Fantagraphics Books |
| Original languages | English |
| Language | English |
| Edu focus | Music |
| Editor | Gary Groth |
| Binding type | Case Binding |
| Assembled product height | 9.8 in (24.9 cm) |
| Assembled product weight | 2.5 lb (1.13 kg) |
| Bisac subject heading | Social Science, Music |
Who Should Buy?
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History Enthusiasts
Those interested in American history will gain insights into the socio-political climate of the Black Power movement.
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Music Scholars
Students and scholars of music can explore the intersection of music and social movements during a critical era.
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Activism Supporters
Individuals passionate about social justice will appreciate the documentation of cultural resistance and empowerment in the Black community.
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Casual Readers
Those looking for light reading or entertainment may find this book too dense and focused on historical analysis.
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Pat Thomas; Gary Groth All Books Editorial Review
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Features & Benefits
- Extensive research over 5 years by noted music producer Pat Thomas.
- Features rare recordings of speeches and music by Black Power activists.
- Chronicles the politically charged history of Motown's Black Power subsidiary, Black Forum.
- Explores musical connections between major artists and the Black Power movement.
- Includes over 250 full-color reproductions of album covers and singles.
- 90,000 words detailing the impact of music on Black Consciousness.
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